I’ve lost small things like lens caps and SD cards before. One time I’d been shooting high on the mountains behind Franschhoek, and when we got back to the car I realised I’d left one of my lenses on the mountain. That was a fun 13km panic-run to fetch it! I’ve been very fortunate and haven’t broken or lost anything big … yet. At trail running events I often have to run holding a camera, and I’ve lost count of the times I’ve taken a tumble. Fortunately I’ve pretty much perfected the tuck-one-arm-and-sacrifice-my-face manoeuvre, a roll that looks much like I’m falling with a beer in my hand. I’ll let you know when my luck runs out…
XB: I shot
PUFfeR 2016 just for fun, and it ended up paying off big time. Stuart McConnachie, race director for
Ultra-Trail Cape Town, saw my images and wanted to meet up. We met for coffee and before I knew it, I was an official photographer at Ultra-Trail Cape Town 2016. That event opened many doors for me, and also taught me much about networking. I’ll always be thankful to Stu for giving me a chance. In turn, I believe that race gave me an opportunity to shoot
Skyrun 2017, a race I’ve always wanted to be part of. It was very special when I managed to cover just under half of the route with a camera. I guess I have many favourite shoots, but UTCT 2016 was my first big race and definitely the most memorable.

Broken cheekbone after falling early in the race. This was 50km in, and she was still going. Pure grit, UTCT 2017 © Xavier Briel
LD: What are your photography aspirations? Any dream places or adventures or challenges you’d love to shoot?
XB: This year I want to get more into climbing, but I still love shooting trail and have my eye on many international races. I’d like to become synonymous with trail running. I have this dream of shooting a runner in the
Rwenzori mountains on the border of Uganda and the DRC, and in the
Makgadikgadi salt pans in Botswana. Africa is filled with amazing adventure opportunities, and there is so much to show the world through photos. I also have some conservation projects planned, where my goal is to link trail runners with the environmental issues that exist in the areas they run in. My long-term goal is to shoot more documentary-style work, and to showcase Africa and its people. To be honest, my list of aspirations is quite long…

I have never seen a guy as happy to finish a race as Mvuyisi Gcogco – 5th at Otter 2017 © Xavier Briel
LD: What has been the most compromising position you’ve had to be in for a shoot?
XB: Skyrun 2017 was a physically tough race to shoot and I was out there for a very long time. I reached the Balloch wall just before sunset, and spent the majority of that night shooting portraits of the backmarkers as they reached the top of the climb. I ended up taking over the sweeper duties, and I had to make sure no one was left behind. That was a very long night, and I had to guide two people to the finish because they were too exhausted to pay attention to their maps and the one had a badly rolled ankle. The fact that we had to climb over fences didn’t help either. Luckily I’ve never found myself in trouble in the mountains, largely because I use the right gear. That should be a priority for any mountain mission.

Runner splashing water from a cool stream high in the Maluti mountains during Lesotho Ultra Trail 2017 © Xavier Briel
LD: Whose photographic work has most aspired you?
XB: I have so many. To avoid giving you a long list, I’ll stick to local.
Kelvin Trautman has a unique style and his ability to tell a story is amazing. I also admire how he’s able to push his body physically. These are skills I really want to work on. I’ve also been fortunate enough to work with
Craig Kolesky a couple of times and have learned so much from him – he has the unique skill of creating amazing images from any situation.

My first shoot with Rory Scheffer in the mountains behind Franschhoek © Xavier Briel

One of the portraits I shot during Skyrun from the top of Balloch wall © Xavier Briel

Runners descending into Hout Bay during Ultra-Trail Cape Town 2017 © Xavier Briel
For more Xavier Briel’s work, click on Xavier Briel